The phrase "abstract impressionism" is correct and usable in written English.
It can be used to refer to a specific art movement that combines elements of abstraction and impressionism, typically in discussions about art history or criticism.
Example: "The gallery's latest exhibition features works that exemplify the principles of abstract impressionism, showcasing vibrant colors and dynamic brushstrokes."
Alternatives: "non-representational impressionism" or "impressionistic abstraction".
After the war he joined the abstraction gang, with a manner sometimes called Abstract Impressionism.
The result is what you might call abstract impressionism.
"Abstract Impressionism" it was termed at the time, though the clunkier phrase "Post-Impressionist Neo-Plasticism" is closer to the truth.
He has long since moved on from Pollock's abstract impressionism and counts Francis Bacon, the Irish figurative painter, as a more appropriate role model.
Her father, John Ratajkowski, worked as a painter, specializing in abstract impressionism and portraiture, and later as an art teacher at her high school, San Dieguito Academy in Encinitas.
He finally went abstract in the early fifties with a mode that art-world wits promptly dubbed "Abstract Impressionism": drifting masses of short, worried strokes in delicately abrasive, glowing colors.
Zujovic et al. [13] proposed the classification method for five genres: abstract expressionism, cubism, impressionism, pop art, and realism.
Although, you can consider concepts such as abstract art or impressionism where the image isn't an exact match but a representation of the subject.
Riley describes Little Rock's mainstream art scene as dominated by contemporary Southern artists, regional artists, landscapes, geometric abstraction, smaller scale abstract expressionism, and neo-impressionism.
Schoenberg went on, "It said that people who used to think that art went from Impressionism to Abstract Expressionism are discovering, thanks to Ronald Lauder's purchase of 'Adele,' that there's art in Austria".
Sweepingly executed on wet plaster as vividly as a Cecil B. De Mille epic, the paintings are hauntingly representational -- Piero was a pioneer of perspective -- and coolly abstract, foreshadowing Cubism and Impressionism and influencing, scholars say, Cezanne and Seurat.
