The phrase "abstract exhibition" is correct and usable in written English.
It can be used to describe an art exhibition that features abstract art or works that do not represent recognizable subjects.
Example: "The gallery is hosting an abstract exhibition that showcases the works of contemporary artists who explore non-representational forms."
Alternatives: "non-representational exhibition" or "contemporary art show".
The artists' aligned interests, as well as their different perspectives, make New Radius a complicated and thoughtful abstract exhibition.
Artist Chris Trueman translates the physical phenomena via pigment with his abstract exhibition titled, "Slipstream". In Trueman's color fields, sharp-edged lines propel fields of color with such urgency the strokes are nearly vibrating.
In 1958 he enrolled at the New York University Institute of Fine Arts, studied art history and became a curator at the Wadsworth Atheneum in Hartford, where he arranged a major abstract expressionist exhibition, then startled the art world with his show "Black, White and Gray," the first minimalist exhibition at a major museum.
The Museum of Modern Art (001 212 708 9400; moma.org) developed an iPad app for its Abstract Impressionist exhibition last year.
HUDSON Hudson Opera House Artists Lookk at HOH". Abstract photography exhibition of historic spaces awaiting restoration at the Hudson Opera House.
The Abstract Expressionism exhibition opening at the Royal Academy this month will be the first survey in Europe of the movement since 1959.
Barr's hand-drawn flowchart of the development of the art of his time printed for the first time in the dust jacket of the 1936 "Cubism and Abstract Art" exhibition catalog became a fundamental visual aid in America's understanding of what Barr called "geometric" and "non-geometric" art.
Recent events have included a private reception and viewing at The Queen's Gallery at Buckingham Palace, visits to the studios of artist Antony Gormley and designer Thomas Heatherwick, a breakfast and private tour of the Abstract Expressionism exhibition at the Royal Academy of Arts, an evening at the UBS Art Collection, and a day at the Henry Moore Studios and Gardens in Hertfordshire.
In this book, he explores the year 1971, when two exhibitions opened that brought modernist painting and sculpture into the burning heart of black cultural politics: Contemporary Black Artists in America, shown at the Whitney Museum of American Art, and The DeLuxe Show, an integrated abstract art exhibition presented in a renovated movie theater in a Houston ghetto.
In the show, a black female curator giddily uproots a humdrum, abstract painting exhibition in favor of work by artists including Marshall, Kara Walker, Laura Aguilar, Mickalene Thomas and Zoe Buckman.
Amaranth Roslyn Ehrenhalt FA51 will have some of her very colorful abstractions, oil on canvas, included in the exhibition Abstract Expressionism: Then and Now at the Hofstra University Museum in Hempstead, N.Y., during April and May.
