Sentence examples for abstract dialogue from inspiring English sources

Exact(3)

The solution that the Daniels had worked out for "Possibilia" — a fixed narrative playing out across multiple worlds — might have sufficed for a short film, where abstract dialogue could be tolerated, but it was not scalable to feature-length projects.

I have watched the city change since I was aware of cities, and wanted to imply change based on my own abstract dialogue with the local urban experience.

They conducted their experiments in sound in group jam sessions where each member would contribute sound to an improvised ensemble using instruments as well as random objects, creating an abstract dialogue.

Similar(54)

Evron's work, though abstract and without dialogue, nonetheless provokes questions in viewers that range from the artistic to the political.

Yet, as Kundi stated in his abstract, his recommended dialogue approach to "the potential for disease causation" starts with epidemiology.

Tracing the arc of Krasner's work, the chronological display makes clear her contributions to Abstract Expressionism and her dialogue with artists, critics and writers, among them Hans Hoffman, de Kooning, Matisse, Mondrian and Picasso.

Completing the illusion were music, dialogue, and abstract imagery representing the characters' mental sensations while appreciating food.

"Seth represents a generation of painters who are on the forefront right now in the dialogue about abstract painting," Hileman says.

This approach consist of the automated construction of an abstract script for an entire dialogue (cast in terms of dialogue acts), which is incrementally enhanced by a series of modules and finally "performed" by means of text, speech and body language, by a cast of ECAs.

This boldly unconventional film, an enigmatic and near dialogue-free abstract work which was well received when it premiered at the Toronto film festival last September, is told from the perspective of Djali (Hunter Page-Lochard, the director's son), who is coming to terms with what it means to be an Indigenous Australian in the new millennium.

If, on the other hand, we find that Timaeus or the Eleatic visitor talks about forms in a way that does not harmonize with the way Socrates conceives of those abstract objects, in the dialogues that assign him a central role as director of the conversation, then the most plausible explanation for these discrepancies is that Plato has changed his mind about the nature of these entities.

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