Sentence examples for abstract circles from inspiring English sources

During the late 1940s and early '50s, Mr. Russell was active in abstract circles in New York and Paris.

Hyland, a partner at Pentagram Design in London, and Bateman, a writer who has collaborated on many design projects, have divided their book into "Abstract" and "Representational" sections with numerous thematic subsets: abstract circles, triangles, dots and crosses; representational snowflakes, birds, stars and hearts.

But this organic environment is augmented by abstract circles, flickers, portals, and textures of light, the camera chasing the light forms, which are themselves chasing an unknown prey across the landscape.

Adi Setia describes the debate among Islamic scholars in the twelfth century, based on the commentary of Fakhr al-Din al-Razi about whether the celestial spheres are real, concrete physical bodies or "merely the abstract circles in the heavens traced out… by the various stars and planets".

These paintings 'queered' the drip paintings: suddenly the machismo of the Pollock gesture looked a little impotent, and the homosocial dimension of the old Abstract Expressionist circle like a circle-jerk (primal boys peeing on fire).

The sprawling designs appear like abstract crop circles, or whatever beautiful landscape would result from Kandinsky taking an afternoon to track circles in the snow.

Many of his most defining moments have occurred in Los Angeles and especially New York, where he spent the better part of 1956 and '57 immersed in Abstract Expressionist circles centered around the Cedar Tavern, the Eighth Street Club and the cooperative galleries along East 10th Street, becoming close friends with Elaine and Willem de Kooning.

"Traditionally, she would be seated on a heavy base, but here I abstracted the circle of the moon and she seems to be just supported by a ribbon that comes from her robe".

On some he has brusquely painted abstract patterns of circles and X's.

A painting of Alexander the Great battling the Indians is a swirl of fire, clouds and charging horses turned into a nearly abstract pattern of circles and arabesques.

The best gallery of this show recreates much of a 1922 solo exhibition in Barcelona, in which Picabia hung wholly abstract drawings of circles, rings and oblongs alongside delicate, campy portraits of Spanish women, included to undercut the abstracts' credibility.