Sentence examples for absolute standpoint from inspiring English sources

One may read the very first sentence of the Star—"All knowing of the All begins in death, the fear of death"—as a programmatic announcement of Rosenzweig's basic quarrel with German Idealism over the standpoint out of which systematic knowledge may be attained: an Absolute standpoint that claims to overcome the limits of human finitude will not yield true knowledge of the All.

In contrast, Rosenzweig seeks to grasp the "All", in the Star, not from an Absolute standpoint, but rather from the standpoint of the finite individual human being whom he finds situated in the middle of the course of the All, a course Rosenzweig understands as beginning in particularity, and advancing through the relations between particulars to an ultimate redemptive realization of unity.

Thinking from the Absolute standpoint.

Moreover, seeking to grasp the whole of what is from the Absolute standpoint leads the German Idealist philosopher to grasp particular beings not as they are, but rather as mere parts of or manifestations of "the All".

The quest for the most comprehensive answer to the "what is" question of the philosophical tradition leads the old thinking, in its German Idealist manifestation, to aspire to an "Absolute" standpoint from which the whole of what is the "All"—can be grasped in its unity.

However we understand this, absolute knowing is the standpoint to which Hegel has hoped to bring the reader in this complex work.

The third essay also contains one of Nietzsche's clearest expressions of "perspectivism" (section 12) — the idea that there is no absolute, "God's eye" standpoint from which one can survey everything that is.

Exposure factors, the adequacy of available data, and the model subcomponents are critically reviewed from the standpoint of absolute error propagation.

From a performance standpoint, Ferrari promises "absolute" capability "without any form of compromise in any area".

And the movie begins with an effort by Lanzmann to put the viewer — and himself — into a conjured setting of absolute horror, into a fitting standpoint from which to consider Murmelstein's story.

But even if one were to grant the philosopher the possibility of seeing things from the standpoint of the Absolute, such a standpoint would take away from the philosopher the very unique outlook on the actual world which she possesses as individual.