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The phrase "about the tempest of" is correct and usable in written English.
It can be used when discussing a situation or event that is chaotic, turbulent, or emotionally charged, often in a metaphorical sense.
Example: "The novel explores the characters' struggles about the tempest of their inner conflicts and societal pressures."
Alternatives: "regarding the storm of" or "concerning the turmoil of".
Exact(1)
He served on the board of the Black Law Students Association, often speaking passionately about the tempest of the week, but in a way that white classmates say made them feel reassured rather than defensive.
Similar(59)
The media sprinted into the tempest of confusion and shock, firing out inaccurate reports about a "trenchcoat mafia" and how Marilyn Manson's music influenced the shooters.
Tynan chronicled marvellously his mixture of the inspired and the haywire: new ideas about The Tempest; memories of a childhood meeting with Lewis Carroll: "Tried to divert me with a puzzle about ferrying six cows across a river on a raft.
Students read books like The Devil's Highway, about a border crossing gone wrong, and analyzed Shakespeare's The Tempest through the lens of colonialism.
But just before the New Year, I stood in the storm-howling graveyard at Shanganah – Bray Head looming through the mist – and watched the kind of funeral that generals can only dream about: the tempest rippling down the lines of soldiers, a firing party to one side of the cemetery, the Last Post played against the wind, the sword on the coffin covered with the flowing Tricolour.
The tempests of social and political change were very real.
Last autumn I attended his production of Shakespeare's The Tempest.
An analyst asked about the "tempest in the teapot nature" of the stories in the press, and Dimon, as if enamored of the phrase, repeated it back: "It's a complete tempest in a teapot," he said.
Record labels and tech entrepreneurs consider him something of an oracle about the tempest he helped unleash.
Many of Shakespeare's works, e.g., Much Ado About Nothing, The Tempest, The Merchant of Venice, and As You Like It, incorporated incidental music mostly popular tunes, improvised instrumental flourishes, or other music assembled for the purpose of a given performance.
WHAT WAS THE HARDEST THING ABOUT BEING IN THE TEMPEST: The hardest part of being in the Tempest was staying extremely quiet while finding something fun to do in the tents.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com