The phrase "about the sequence is" is not correct and does not form a complete thought in written English.
It may be used in contexts where you are discussing a specific sequence, but it requires additional information to be meaningful.
Example: "The information about the sequence is crucial for understanding the overall pattern."
Alternatives: "regarding the sequence" or "concerning the sequence".
Yet what remains most original about the sequence is its mirrorlike reflection of a filmmaker considering the state of his art, his political commitment, and his life — and its place in the film is the revelation of an artist whose very identity has been pushed to the breaking point by the war.
Yet what remains most original about the sequence is its mirrorlike reflection of a filmmaker considering the state of his art, his political commitment, and his life and its place in the film is the revelation of an artist whose very identity has been pushed to the breaking point by the war.
It is possible, though, that information about the sequence is scarce or even corrupted in certain regions of the genome, which affects the quality of the final alignment.
However, knowledge about the sequence is required, or at least the presence of the appropriate restriction sites on the ends of the fragment of interest should be confirmed.
Moreover, 16S sequencing does not provide any functional input about the community, since the sequence is not strain-specific.
Molecular techniques such as virus-specific polymerase chain reaction (PCR) or microarray hybridization capture provide even more powerful molecular enrichment for viral nucleic acid, but they require very specific prior knowledge about the sequence being sought that can hamper the discovery of highly novel pathogens (Tang and Chiu 2010; Mahony et al. 2011).
She later explained in an interview with Brazilian network Rede Globo, Madonna explained that the sequence was about "intolerance that we human beings have for one another.
The GC content of the sequence was about 37.4%, close to that prevailing in both Arabidopsis thaliana [ 23] and Vitis vinifera [ 24].
The sequence was partly about the pleasure of seeing Marla Gibbs, and partly about the suggestion that the television industry is running past schedule to reconcile itself with its past.
One of my favorite things about this sequence is the work that our cinematographer, James Laxton, and our post colorist, Alex Bickel, did.
The thing about that sequence is it was kind of fun and quirky and a new way of looking at it.
