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As you may have read everywhere, we live in a world of algorithms.
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It is a world of "commercial content," driven by algorithms "without", Spangler wrote (perhaps quoting Clay Shirky), "regard to civic value or subjective judgments about quality or any of the other sentimental trappings of the Murrow century".
Although we experience a world of up and down, these algorithms could be changed so that instead of time being linear, it was for instance, 3-dimensional like space.
"What we're finding is that the world of algorithms is one ugly wormhole".
"It introduced me to the world of algorithms," he says.
In today's world of algorithms and hyperlinks, it's easy for companies like TiVo and Netflix to predict choices which might appeal to a particular consumer.
A world of blockheads.
A world of difference.
"This world is a world of conversation.
A world of pain.
It's also a gateway craft to the wild world of algorithm art, as practiced by identical twins Ryan and Trevor Oakes.
Write better and faster with AI suggestions while staying true to your unique style.
Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.
Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com