The phrase "a work of dramatic" is not correct in English as it is incomplete.
It could be used in contexts discussing dramatic works, but it needs to be completed, such as "a work of dramatic literature" or "a work of dramatic art."
Example: "The play is considered a significant work of dramatic literature in the 20th century."
Alternatives: "a piece of drama" or "a dramatic composition."
They're more human than me that shot 'em down!") As a work of dramatic literature, unfortunately, "Green Eyes" is negligible.
As a work of dramatic craft "The Silver Tassie" is not truly satisfying, even as performed with idiomatic richness by the Druid's fine cast under Ms. Hynes.
The composition, based on writings by E.T.A. Hoffmann, is a work of dramatic fantasy, of phantasmagorical extremes and sudden shifts in mood.
On the one hand, Lepage should be free to tell the stories he wants, just as Tony Kushner was free to create a character called Roy M Cohn, a "work of dramatic fiction" based on the real Roy M Cohn, in Angels in America.
Perhaps my definition of "play" is too narrow, but "Curious Incident," adapted from Mark Haddon's novel by Simon Stephens, doesn't seem all that impressive as a work of dramatic literature.
It is the one picture of the season that can hold its own as a work of dramatic art worthy of comparison with such stage plays as What Price Glory? and Desire Under the Elms".
Whips and hammers are introduced into the orchestration of this trilogy, a work of great dramatic force, in which the chorus is required to groan, whistle, and shriek.
Nelson's strengths as a director lead him to the heart of what makes "Vanya" such an enduring work of dramatic literature.
March 21 2013 August 11 201313 Douglas Carter Beane's new play is a nearly perfect work of dramatic art, whose power derives from its equitable compassion and its unromantic view of myth.
Douglas Carter Beane's "The Nance" (at the Lyceum) is a nearly perfect work of dramatic art, whose power derives from its equitable compassion and its unromantic view of myth.
Musically, its unity stems from large overall symmetries within which are set traditional forms (such as the passacaglia and sonata), excerpts in popular music style, dense chromaticism (use of notes not belonging to the composition's key), extreme atonality, and passing approaches to traditional tonality, all of which function to create a work of notable psychological and dramatic impact.
