The phrase "a week of auditions" is correct and usable in written English.
You can use it when referring to a series of auditions that take place over the course of a week.
Example: "The theater company scheduled a week of auditions to find the perfect cast for their upcoming production."
Alternatives: "a week of tryouts" or "a week of casting calls".
The Philharmonic has been inviting prominent players in for a week of performances on stage and in solo auditions.
A week of talking to other inmates, and then the delicate process of auditions.
Starting tomorrow, 62 youngsters chosen from video auditions nationwide will arrive in Tarrytown for a week of classes, jam sessions and rehearsals.
However, Mercedes also auditions for Maria, and the directors, unable to decide between the two of them even after head-to-head callbacks, decide to double-cast the role, giving Rachel and Mercedes each a week of the two-week run.
The result is one fewer week of audition shows, more shows in the Hollywood elimination round, an opportunity for the judges to add some competitors to the finalists and, most significant, a fourth judge: Kara DioGuardi, a songwriter and producer, will join Simon Cowell, Paula Abdul and Randy Jackson.
From there, I auditioned for a couple of things, and within two weeks of auditions, everything just took off from there.
As well as four to five weeks' full-time rehearsals and previews, directors will also be doing weeks and weeks of auditions, planning, research, plus meetings with designers and theatre staff.
For 48 hours before those 100-some prospects held their first practice, they began their mating dance with the NFL, weeks of auditions and interviews in which teams attempt to find order out of chaos.
Also, "American Idol" this season will feature three rather than four weeks of auditions, moving on more quickly to the Hollywood round and spending less time featuring contestants whose sole purpose in auditioning seemed to be to make fools of themselves in front of the judges — which in most cases was the only way they were going to get on television.
When she landed the highest-profile role of her career as emo hacker Lisbeth Salander in David Fincher's 2011 adaptation of the Stieg Larsson bestseller – after 10 gruelling weeks of auditions and screen tests – formerly fresh-faced Mara fully committed to the character's look.
