The phrase "a vivid array of" is correct and usable in written English.
It can be used to describe a diverse and striking collection of items, ideas, or experiences that are visually or conceptually appealing.
Example: "The artist presented a vivid array of colors in her latest painting, capturing the essence of the sunset."
Alternatives: "a striking variety of" or "a colorful assortment of".
The Luther who emerges from Roper's study is an ambivalent and unpleasant figure, yet charismatic and intriguing, one who leaps off the page in a vivid array of colours.
There's a vivid array of fellow residents – crossbow toting hunters, real estate interests, adulterers, heritage fascists, gossips, drunks, louts, more crazy artists – with multifarious uncertain agendas and grainy backstories.
I stayed in a studio, just off rue Mouffetard, the snaking market street in the Latin Quarter, with its shouting and joking, bonhomie and brawls and a vivid array of fruit and vegetable stalls, stacked as if appearances were all that mattered.
It contains a vivid array of writing about eating and cooking and all things epicurean from history: Erasmus on being properly voided before dining; Evelyn Waugh on gluttony and the armistice; Madhur Jaffrey on why Hindus won't sip each other's drinks; John Smith on the man who powdered and ate his wife during the catastrophe at Jamestown.
Donning plastic rain-ponchos in a vivid array of colors, people danced beneath the falling water as the mud became deeper and goopier.
The goals were to make the show look natural and simplistic; as Tracy put it, "freshly cut and glued together with a vivid array of textures, colors, and shadows" similar to picture book illustrations.
This compelling exhibition is a vivid array that reflects the multicultural art heritage of Los Angeles by conveying a wide spectrum of creativity.
Still, this is real spectacle, with vivid projections, an array of alphabet blocks to form the famous tower, an all-female human pyramid, and much else.
Polemic comes alive when it is grounded in detail, and Goldsmith conducts his argument using an expansive array of vivid supporting material – topographies, interiors, and sharp human portraits.
In seconds, he could create an entire scene on an empty stage, transforming his body to suggest an array of vivid characters.
The novel may not have the fireworks of magical realism, but its sure construction of narrative and vivid portrayal of a wide array of characters build an extraordinary tale, one which reminds the reader that any novel can be a fascinating mixture of magic and realism.
