The phrase "a virtual voice of" is correct and usable in written English.
It can be used to describe someone or something that represents or conveys opinions, ideas, or sentiments in a digital or online context.
Example: "As a virtual voice of the community, she advocates for environmental sustainability through her blog."
Alternatives: "an online representative of" or "a digital spokesperson for".
Truffaut taught himself, with great effort and great difficulty, to film with a second voice, to become exactly the kind of director that he admired and that Hitchcock exemplified: he placed his first-person confessional voice, and even his actual speaking voice, into conflict with the virtual voice of subtext and symbol.
Welles's speaking voice is the grandest, most expressive vocal instrument in the history of the cinema — he is the Caruso of the movies — and his virtual voice of artistic style depends as much on his liberated, liberating stream of images as on his radio-based way with the soundtrack.
Welles's speaking voice is the grandest, most expressive vocal instrument in the history of the cinema he is the Caruso of the movies and his virtual voice of artistic style depends as much on his liberated, liberating stream of images as on his radio-based way with the soundtrack.
On today's harsh internet, you could be berated for how you speak, including people calling you a 12-year old (not that there's anything wrong with being 12) as a result of your virtual "voice" (writing style).
Spike Jonze says his tale of a man who falls in love with the virtual voice in his computer is a peek into the future about "the challenges of intimacy".
Edelman's film is a virtual symphony of voices, from recent interviews and archival footage, in which the battle of history is fought by and around Simpson in terms of the interpretation of those physicalities.
As you enter the twenty-two-thousand-square-foot space, housed in the former Bank of Manhattan Trust, now called the Trump Building (doesn't it figure?), you will be confronted, almost immediately, by the Virtual Greeter, a hologram woman who is supposedly welcoming shoppers, but we'll have to take that on faith since her virtual voice cannot be heard above the din of the flesh-and-blood rabble.
The narratives are as simple as fairy tales, and the setting seems to be less a distinct place and time than a virtual world of amplified voices and moving screens where nothing is exactly as it seems.
A 2005 installation entitled "Veils," which has appeared in several venues in America and Europe, uses a "virtual choir" of ninety polyphonic voices, and unfolds over a span of six hours.
