Sentence examples for a typeface such as from inspiring English sources

Ideas naturally came to be expressed spatially instead of by historical analogy, as might be done in a Western print shop today by selecting a typeface such as Garamond, which cannot escape its past, or Helvetica, which we cannot escape in our present.

Nonetheless, it is recognised that other extrinsic characteristics of a typeface, such as character size, capitalisation, shadowing, rendering and foreground/background colour combinations (e.g. white on black or black on white), may be adjusted to further reduce demand.

Programs like Microsoft Outlook default to Arial, but a thinner-lined typeface such as Century Gothic requires less toner or ink to form its characters.

Use a sans serif typeface, such as Arial, for figure labels.

Black, brown, or navy blue ink is impressive; use an easy-to-read typeface such as Times New Roman or the more modern Helvetica font.

Since it is very inexpensive to produce new typefaces for photographic typesetting, the widespread use of phototype systems set off a spate of new designs and reissues of long-unavailable typefaces, such as decorative Victorian wood types.

One of the few places the Helvetica font has failed to infiltrate over the past half-century is the graveyard – Roman typefaces such as Perpetua or Bembo tend to work better on headstones.

Wherever Roman lettering prevails, some typefaces, such as Helvetica, Times New Roman, Gill Sans and Comic Sans, are all but universal, while others, including the divine Doves Type, cut by Edward Prince for Thomas Cobden-Sartiston, andist and bookbinder for William Morris, are not so much rare as extinct.

A good, business-quality typeface - such as 12-point Times New Roman - creates clean, easy-to-read text.

Try different font combinations and font treatments, such as italics, lowercase and uppercase typeface.

Check to see if your university has a style guide for things such as typeface and font size.