The phrase "a true conception of" is correct and usable in written English.
It can be used when discussing an accurate understanding or interpretation of a concept or idea.
Example: "To innovate effectively, one must have a true conception of the market's needs and trends."
Alternatives: "an accurate understanding of" or "a genuine grasp of".
We must first form a true conception of these objects of memory, a point on which mistakes are often made.
The very rejection of the temporal dimension which would allow an authentic conception of creatio ex nihilo, is also the condition of a true conception of the divine will, a will that coincides totally with the being of the Principle and aims at a good inherent in It, from which the good of the world follows as a consequence.
There's a remark by Jerry Lewis (cited by Robert Benayoun in an article from Positif) to the effect that any true conception of a movie character would have to involve obscenity in other words, a writer and a director have to know a character's sexual life and fantasies and "The Chapman Report" offers a scientific context for that sort of exploration.
There's a remark by Jerry Lewis (cited by Robert Benayoun in an article from Positif) to the effect that any true conception of a movie character would have to involve obscenity — in other words, a writer and a director have to know a character's sexual life and fantasies — and "The Chapman Report" offers a scientific context for that sort of exploration.
There is no evident reason that an adequate, true, conception of the law of inertia should be exempt from this demand.
Whenever the true conception of the nature of this government is once conceded, no real difficulty will arise in the just interpretation of its powers.
It presents God as a kind of feudal Overlord, or as a stern Judge, or as a Governor of a state.5 Each of these minimizes the true Christian conception of God as a free personality.
That may be true, on a conception of laws of nature that holds that they are something more than mere patterns in the non-modal phenomena.
This, in a nutshell, is Wittgenstein's conception of "mathematical truth": a true proposition of PM is an axiom or a proved proposition, which means that "true in PM" is identical with, and therefore can be supplanted by, "proved in PM".
Their work, always of great technical excellence, became less and less academic in style, and out of this tradition, by the late years of the dynasty, emerged a conception of the true painter as a professionally competent but deliberately amateurish artist bent on individualistic self-expression.
This, on its face, is a counterintuitive challenge to a conception of something: that the conception is true of what it is about.
