The phrase "a tiny comic" is correct and usable in written English.
It can be used to describe a small comic book, strip, or illustration, often emphasizing its size or simplicity.
Example: "I found a tiny comic in the bookstore that perfectly captured the essence of childhood adventures."
Alternatives: "a small comic" or "a miniature comic".
Founded in 1938 by brothers Abram, Ira, Philip and Joseph Shorin, Topps Chewing Gum, as it was known then, introduced Bazooka bubble gum in 1947, and in 1953 began including a tiny comic featuring Bazooka Joe, who was modeled after Joseph Shorin.
"We'll be stuck here forever!" Behind that tiny comic moment is a powerful but rarely recognized force of nature that Steven Johnson's surprising "Emergence" explores, celebrates and occasionally overcooks: the paradoxical ability of a swarm to exhibit greater intelligence than the individuals that make it up.
In the four hours it took me to almost get beaten up for taking pictures of nearly naked people, the lady in the image read tiny comic strips off the back of a bag of Cheetos. .
The events in the film -- tiny comic moments, episodes of furious feeling and a climactic act of senseless brutality -- unfold without exposition or explanation.
As Cherrie saw it, Bazooka's chief problem was the fact that the tiny comics that come wrapped around the gum weren't funny to anyone born after 1962.
But it's different once you get outside L.A. That's why I think the Laff Stop is a good room for me to try out stuff that, let's say, I want to do on Letterman or 'The Tonight Show' because it's not the insular, hip, Hollywood kind of place". Of course, only a tiny minority of working comics reach Leno's level, and even then it takes many years.
A tiny, 5-by-8-inch comic book starts at $4.99.
Apart from those featuring the big-name heroes, including Marvel Entertainment's Spider-Man and the X-Men, only a tiny handful of properties from the comic book world have spawned a true blockbuster for any studio.
MAIELLARO and Willis use their movie, which they wrote, directed and co-produced with Jay Wade Edwards, to offer a tiny shred of reason behind the comic horror fantasy they launched in the wee hours of Sept. 2, 2001.
Well directed by Muriel Romanes in this production by the Stellar Quines Theater Company of Edinburgh, the actors maneuver around a tiny, claustrophobic set that resembles a comic-book panel.
But I can't help wishing that these comics were all just a tiny bit less attractive.
