Sentence examples for a superb sequence from inspiring English sources

A superb sequence of play nearly put Hungary back in front.

This imprint of the spectral leads to a superb sequence at a children's party, back at the orphanage, where the young guests wear masks.

Daley, from Plymouth, produced a superb sequence of five dives, scoring 108 points with his fourth and 99 with a fifth dive that earned perfect 10s from five judges and 9.5 from the other two.

Kaiser praised the argument between Stan and Steve, calling it a "superb sequence".

And uncanny is exactly the feeling in a superb last sequence of Planet of the Apes as Charlton Heston rides along the shore.

The game begins with a superb opening sequence as Kratos fights his way up Mount Olympus on the back of Gaia, heading for a showdown with Zeus at the summit.

The authors of the book I Can't Believe It's a Bigger and Better Updated Unofficial Simpsons Guide, Warren Martyn and Adrian Wood, wrote: "This episode will strike a chord with anyone that's ever tried to fit in with the crowd Lisa gets to show the many facets of her character, and there's a superb slapstick sequence as Homer tries to dispose of a firework".

In one superb sequence, lovers embrace for the first time to the sounds of White Lies' ironically named Death, the track left to play out at length as our antiheroes turn to face each other in the slowest of motion; eyes meeting, necks beckoning, hearts pumping, lips not quite touching – a symphony of exposition in movement and music.

It chimed perfectly with the alienated mood of Nixon's America in the early 70s, and the superb sequence in which the talking bombs have to be persuaded not to cause Armageddon was a brilliant satirical commentary on the proliferation of weaponry, supposedly under political and democratic control, but building its own unstoppable momentum, making ultimate use harder and harder to stop.

A breakdown in the early 1960s resulted in some ill-judged experimental poems, later suppressed, in jagged typographical forms, but also in the superb Sequence In Hospital, published in Recoveries (1964), which explores the experience of hospitalisation with unsparing clarity: "What to say first?

That superb sequence may be what audiences are expecting from Bigelow, director of heart-pumping thrillers such as The Hurt Locker and Point Break, but the adrenaline of the end wouldn't mean nearly as much without the methodical hunt that comes before it.