Sentence examples for a string of tunes from inspiring English sources

At its center was a string of tunes that Paul recorded with his wife, Mary Ford, like "The World Is Waiting for the Sunrise": pioneering examples of multitracking that multiplied Ms. Ford's prerecorded voice — and onstage, Ms. May's prerecorded voice — in layers of harmony.

Once inside, smiling children are posing for photos with Games mascot Wenlock,  a group of girls sing along as a string of tunes blare out over the public address system.

Hired by MGM with his songwriting partner, Nacio Herb Brown, Freed endeared himself to Louis B. Mayer by creating a string of hit tunes -- "You Are My Lucky Star," "The Broadway Melody" -- and performing other valuable services, like signing Judy Garland to a contract.

But it was cheerfully and enthusiastically played, with a string of big tunes pouring out like a genially puffing locomotive.

Directed by Robert Longbottom with elegantly spare sets by Kevin Depinet, sumptuous costumes by Paul Tazewell and sensitive lighting by Robert Wierzel, this Lerner and Loewe chestnut offered bright whimsy, understated heartache and a string of good tunes, well sung and played.

The work is a string of folkish-sounding tunes that were in fact transcribed from the composer's own imagination.

And Mr. Berry's gift is a string of his signature tunes -- "Sweet Little 16," "Johnny B. Goode" -- sung by Little Richard, the Black Crowes and the B-52's, backed by a band including Steve Jordan on drums and G. E. Smith approximating some Berry guitar licks.

Ron Basejam's mum knows him as James Baron and you might know James Baron as one of the founders of UK disco sensations Crazy P. Since 2006, Baron's been smashing it as Basejam, releasing a string of fantastic original tunes and som otherwordly edits.

When, finally, Schaap played another Beiderbecke record — a twenty-minute string of tunes, to be fair — I asked him what possible interest he could have in the provenance of the ghostly "yeah"s of yesteryear.

In a sort of pre-credit sequence, a stream of dogs and house cats coursed out of various trapdoors over the AstroTurf stage, followed by a pig, an ostrich, and a string of ducklings, to the tune of "Who Let the Dogs Out?" The dogs jumped on a seesaw and flipped miniature plastic burgers at a fake stove.

He churned out a string of signature medleys that juxtaposed tunes like "Away in a Manger" with David Bowie's "Space Oddity," and "Rudolph the Red-Nosed Reindeer" with Stevie Wonder's "I Wish," in a vocal style like a whirring blender of crushed ice and Karo syrup.