The phrase "a specific corner of" is correct and usable in written English.
It can be used to refer to a particular area or aspect of a larger context, often to emphasize its uniqueness or importance.
Example: "In this project, we will focus on a specific corner of the market that has been largely overlooked by competitors."
Alternatives: "a particular area of" or "a distinct part of".
Yet though the market has produced many options for black Parisians seeking beauty products, (albeit in a specific corner of the city,) it has not provided them with employment in or ownership of many of these businesses.
Not only did it outrage anti-pornography campaigners, who argued that it legitimised the sex industry, but also drew criticism from some parts of the adult entertainment business, who felt that forcing sex sites into a specific corner of the internet would inevitably increase censorship.
Anti-pornography campaigners argued that the move legitimises the sex industry, and it also drew criticism from some parts of the adult entertainment business, who said that forcing sex sites into a specific corner of the internet would inevitably increase censorship.
For instance, if you want to meet a friend in a specific corner of the Eiffel Tower in Paris, you can send the three-word address prices.slippery.traps.traps
No matter what position you work in a bank, you are an expert in a specific corner of finance that nobody understands except you and your coworkers.
It's also reminiscent of Lyft's HotSpots feature, where passengers can walk to a specific corner to get a discounted fair.
Like the Trip Metal memes that proliferated for a while on a very specific corner of Twitter, Wolf Eyes music is a surreal and hallucinatory take on familiar forms—something designed to make you laugh and gag at the same time.
It's a fast-paced ticker-tape for a very specific corner of stock exchange.
Dipping into a very specific corner of the modeling industry — the search for fresh Russian faces to feed the seemingly insatiable Japanese appetite for prepubescent-looking clotheshorses — David Redmon and Ashley Sabin's film presents an international transaction sustained by the twin forces of illusion and delusion.
Next the subjects were told to look in the middle of the screen, but also divert some attention to a specific corner.
The way a driver reads a specific corner or track varies, and so one teammate might well be faster than the other on a particular corner of a particular track.
