Sentence examples for a spatial element from inspiring English sources

Like many of his works, "Persephassa" has a spatial element.

It starts with data from the Department of Defense on local incidence of influenza-like illness combined with laboratory-verified cases of influenza and adds a spatial element by incorporating information from Census data on commuting patterns.

The violinist interacts with previously taped material, including both her own playing and studio sounds, and wanders during a live performance, a spatial element captured in the surround-sound version on one of the discs in this set.

Fontana, who was trained in classical sculpture, is best known for his slash paintings, in which he took a sharp knife to a painted canvas, violating the supremacy of the painting's surface to suggest a spatial element beyond the two-dimensional confines of the medium.

These all note the importance of a spatial element in defining excess commuting.

"Initially when we were recording the music, a lot of the music was influenced from film, and there's a spatial element to the music that really lent itself to a rich visual language," says Karen.

It shows that the loggia is a dominant spatial element in vernacular dwellings in Yazd, Iran, which is popular but no longer incorporated into new building designs.

(Have we ever in music history spoken about the prolific output of a composer in his 90s?) There is an acoustical, spatial element to "Triple Duo," scored for three duos of instruments: flute and clarinet, violin and cello, piano and percussion.

No wonder choreographers like Merce Cunningham found in Cage an inspirational spatial element that is wonderful to dance to, and that is now often electronically emulated but seldom equalled.

Such a complex approach is impractical and instead we assume that pile-up can be approximated using only the 1-dimensional event rate of the dispersed spectrum after collapsing it in the cross-dispersion direction, effectively giving us a 3x1-pixel spatial element.

Mr. Burns produced the album with the composer and sound designer Richard Warp, and using five-channel surround-sound theynology they were able to create, for the first time, a recorded analogue of this spatial element.