The phrase "a space that allows" is correct and usable in written English.
You can use it to describe an environment or context that enables certain actions or behaviors.
Example: "We need to create a space that allows for open communication among team members."
Alternatives: "an environment that permits" or "a setting that enables".
It's a space that allows the Kings to prowl and insinuate rather than batter and thrash, and gives a platform from which Caleb's angsty, gravelly growl can look to the skies and testify.
Or perhaps their builders shared an intuitive understanding about how to create a space that allows relatively large numbers to congregate within an area intimate enough for all to see and hear what's going on.
"The Witness" has been staged at the Royal Court's Jerwood Theater Upstairs, a tight little hot house of a space that allows no exits (and no place to hide) once you're seated, right on top of the actors.
The EIC's concert programme last night illustrated that the Philharmonie is a space that allows all of its 2000-plus listoners to feel in contact with the subtlest sounds the musicians can make – such as the usually almost inaudible brushing and sweeping of the string instruments in Helmut Lachenmann's Mouvement (–vor der Erstarrung), performed before Répons.
The greatest satire has been written in periods when ethical and rational norms were sufficiently powerful to attract widespread assent yet not so powerful as to compel absolute conformity those periods when the satirist could be part of society and yet separate from it, in a space that allows a double vision.
So creating a space that allows movement, allows active posture to really help collaboration move more smoothly, and can forward creativity by allowing people to participate when they want, step out when they don't, and allow leadership to move throughout the group.
"We wanted to create a space that allowed artists to do whatever they want, however unsustainable or naive or beautifully stupid that might be," Field recalls.
"It wasn't until I studied with Karin Waehner that I found a space that allowed me to be creative, not yet as a choreographer but as a dancer.
Sometimes, they find these opportunities in interventions targeting women – like the micro-enterprise programme that offered one Afghan woman the chance to set up a hairdressing business: a space that allowed her to make money, but perhaps more importantly, to socialise with other women (pdf).
As a result, we wanted to make sure we built a space that allowed companies, just like online, to quickly test and iterate products – and do so by giving them a space in which they could do that physically.
To be in a space that allowed the students to network with other universities and colleges that were on the same mission of sustainability, also helped them to learn how important it is to collaborate in order to make a stronger impact.
