The phrase "a set of chords" is correct and usable in written English.
It can be used when referring to a collection or group of musical chords that are played together or studied as a unit.
Example: "In this lesson, we will explore a set of chords that are commonly used in jazz music."
Alternatives: "a collection of chords" or "a group of chords".
A perfectly hit ball, right in the sweet spot, is "very similar to when you improvise over a set of chords, and you're in a zone, and you nail every note and hit every pattern," Mr. Williams said.
They basically create a set of chords by playing long tones, stuff like that, where you have an evolving group of sounds that no one is in charge of exactly".
One set of bass notes may sound differently without a set of chords for accompaniment on an organ, so harmony and percussion rhythm plays a great role in producing pleasing tunes.
It's a whole lot more fun to play when you're playing a song that you can recognize and not just a set of chords or notes, and there has been a whole world of music written with the chords G, C, and D. Some old folk and country songs like "Tom Dooley" or "Folsom Prison Blues" by Johnny Cash can be great ways to start.
Unlike jazz musicians, he rarely sets out to invent new melodies over a set of chord changes.
But instead of reducing those ideas to formal devices, she tries to get at what it feels like to be intersecting circles, or an object in the air, or a set of chord changes.
"Though his sound may not be 'legitimate' by orthodox standards," Feather wrote in the Los Angeles Times in 1978, "he is a rhythmically engaging performer whose peppery, witty style may take hold of a set of chord changes and never let go for a half-dozen beautifully constructed choruses".
We play a lot with that, the difference between the dragged parallel folk shapes and the more classical holding a tone or re-contextualizing the same melody using a different set of chords that's in a new key.
You should, of course, get kids to listen to Coltrane's original recording for themselves: "Does Paul Chambers's bass remind you of a box?" The piece features fast-paced improvisation over an unusual set of chords, so it also seems a little cruel to put a kitten through what another critic has called a "steeplechase".
We used a lot of the vocal parts from the chorus, we actually took them and held them in place over a certain set of chords to create weird suspensions and things.
The work that closed the concert, Steven Burke's high-powered "Night Fantasy" (2004), was the only score that made no overt references, but even so, its style was that of a Baroque fantasia, with a set of opening arpeggiated chords providing a springboard for wide-ranging exploration.
