The phrase "a sequence of tiny" is correct and usable in written English.
It can be used when describing a series or arrangement of small items or elements.
Example: "The artist created a sequence of tiny dots to form a beautiful mosaic."
Alternatives: "a series of small" or "a chain of miniature".
Carmen Vazquez Marfil, creeping and abject, launches into a sequence of tiny, spasmodic gestures, twitching and gurning as a meaningless song plays on a loop.
Everything about family life seems so intimate, a sequence of tiny moments in time, and to have that feeling mapped upon a scale of geological events puts one's view of the universe a bit out of kilter.
Two key sections high on the route – horizontal sideways traverses – combined the dual challenge of minimal and very slippery footholds on the smooth-grained granite with a sequence of tiny and often razor-sharp finger holds, requiring a combination of both balance and strength.
When she gusts across the stage in a sequence of tiny jumps, the unnerving stillness with which she holds her body is a moving flashback to the imagery of her mad scene, in which Giselle has tried to physically compress and contain the chaos of her disintegrating mind.
Remember turning the corners of your class notes into flipbooks with a sequence of tiny drawings?
When the microprocessor receives an instruction to perform some task, such as adding two numbers together, that big instruction calls into play a sequence of tinier, more specific instructions that interact with the circuitry to carry out the addition.
This process may include a sequence of scattered tiny peri-vascular lymphoid infiltrates, subsequent development of the typical focal periductal lymphoid sialadenitis/formation of ectopic GC-like structures and, eventually, the destruction and replacement of the affected glandular tissue [ 8, 27- 35].
The JACK Quartet followed with Matthias Pintscher's exquisite "Study IV for Treatise on the Veil," a spellbinding sequence of tiny, hushed gestures inspired by a series of drawings and paintings by Cy Twombly.
McCall also designed the costumes — Mr. Bokaer darts throughout the space, performing a sequence of movements with tiny, whipping turns and even an unexpected somersault.
Walking in London is printed on lenticular panels, in which a sequence of drawings are combined on tiny lenses so that as you move, you see them move.
Later — hauntingly — Mr. Neidenbach crosses the stage in one forward skipping hopscotch sequence of tiny but top-speed steps, then, without missing a beat, retreats backward in a big crawling phrase on all fours: two utterly opposed kinds of movement, both delivered coolly but excitingly.
