The phrase "a sequence of miniature" is correct and usable in written English.
It can be used when describing a series or arrangement of small items or elements, often in a specific context such as art, design, or collections.
Example: "The exhibit featured a sequence of miniature sculptures that captured the essence of the artist's vision."
Alternatives: "a series of small" or "a chain of tiny".
Eve Egoyan played two of her piano pieces – The Underfolding, an exploration of dense, dark harmonies, and Nocturnes and Chorales, a sequence of spare miniatures of lonely melodies and lingering harmonic sequences.
Liszt's ubiquitous Sonata in B Minor makes up the second half of a program that begins with a sequence of crystalline miniatures by Schoenberg (Six Little Piano Pieces, Op. 19), Strauss, Wagner, Bruckner, and Brahms (the Fantasies, Op. 116).
The starting point for the Almeida Ensemble's programme was a sequence of his miniatures - Brief Candles for clarinet, Feet of Clay for cello and the early solo flute Maiastra - which showed how the inflections and melancholy of Lorca's expressive world were translated into his instrumental writing.
Sibelius's Five Pieces is the least substantial here, charming and expertly written for what was his own instrument but is really just a sequence of salon miniatures, which are followed by Respighi's expansive sonata, full of rhapsodic violin lines and grandly rhetorical piano writing.
The violist Stephanie Griffin and the clarinetist Carol McGonnell opened the concert with a lively, exacting account of Mr. Haas's "Phantasien," a sequence of sharply etched miniatures.
That was a pity, because the closing work — Mr. Tchaikovsky's "Music for Orchestra" (1987), a sequence of seven picturesque miniatures — was an ingratiating balm after the preceding tumult.
As he flipped through slides of a PowerPoint presentation of the magazine, staff members were busily working to close the issue, scurrying in and out of a conference room and rearranging the sequence of miniature pages from the issue on a cork board.
An introduction to Sørensen's creative world was provided by a documentary concert given by the Danish group Ensemble Scenatet, in which the screening of a silent film by Michael Madsen showing the composer at his home in rural Denmark was juxtaposed with performances of a sequence of his recent instrumental miniatures.
