Figure 1 An illustration of stationary and nonstationary blocks in a sequence of frames (box 1-stationary block, box 2-nonstationary block).
Tate Modern has managed to borrow Small Sphere and Heavy Sphere (1932), where human intervention sets a little white ball swinging among a sequence of objects – box, bottle, gong – arranged in a ring.
There is something of the same spirit in Yuken Teruya's LVMH series, paper bags from posh shops – Pucci, Christian Dior, Givenchy – which Teruya has fixed to the gallery wall in a row, making a sequence of diminutive box spaces.
Figure 10 The dots indicate corners of a nested sequence of boxes in case (b).
The library shelves are a sequence of dead-letter boxes, ideal hiding places for illegal missives between friends (or even lovers), breaching the strict segregation lines between male and female prisoners.
And a sequence of photographs shows a boxing glove impotently punching at a bubble, which simply floats free of these dumb blows.
Each decision chain (i.e., sequence of boxes) represents this process for an individual instructor as depicted by his or her code in the study sample.
The content is represented by the linked sequence of boxes in the upper part of the figure, where each piece of content has its type, denoted by the legend in each box.
Television had something to do with turning Presidential campaigns into tactical image wars, but so did print-dinosaur journalists like White, who covered campaigns as though they were boxing matches, a sequence of punches and counterpunches, points and knockdowns, with a running score kept by opinion polls.
