The phrase "a sensible representation of" is correct and usable in written English.
You can use it when describing something that accurately and logically depicts or illustrates a particular idea, concept, or phenomenon.
Example: "The artist's latest work is a sensible representation of the struggles faced by modern society."
Alternatives: "a rational depiction of" or "a reasonable illustration of".
The choice of the 2-year timeframe was a compromise between investigating a manageable number of particles and obtaining a meaningful number of connections between distant sites, offering a sensible representation of the average surface circulation in the Red Sea.
As a result, we feel that it is all the more important to confirm that the assumed power law functional form is indeed a sensible representation of what one should expect in in vivo and in vitro recordings, which, unlike the physical systems considered when deriving the power law statistics, are finite-size systems.
They also preserved the idea, if not a sensible representation of it, of healthy dietary patterns, and provided examples to show that these are variations on a theme.
The research field "LAPS" is focused on the creative sensible representation of the Internet, using it as a space for sound broadcasting.
Moreover, this complex of human mental powers is productive of pleasure, through the sensible representation of perfection, in its own right.
Next, Baumgarten divides the sensible representation or judgment of perfections and imperfections into the "intuitive" and the "symbolic," that is, those which consist in sensible properties directly and those which consist in sensible properties taken as symbols of something else, and then adds that the sensible cognition of a perfection is pleasing and that of its imperfection displeasing.
Assuming the generative model of the data above, PCA typically recovers a sensible reduced representation, as low magnitude log additive noise induces 'shot-noise' behavior in the subspace containing the simplex with small perturbations in the orthogonal complement subspace.
The key thoughts in this series of definitions is that poetry is aimed not just at conveying truth, but at conveying it by means of "sensible representations," or imagery drawn from the senses, and that the "perfection" of a poem may lie in both its medium, that is, the words its uses, and the imagery it arouses, and indeed in the relationship between these two dimensions.
Feuerbach sought to further expose this contraction in his 1839 essay, "On Philosophy and Christianity," in which he for the first time publically repudiated the Hegelian claim that philosophy affirms in the form of conceptual thinking the same truths affirmed by religion in the form of sensible representations.
Instead, in a move similar to Helmholtz's conception of intuition as imagined sensible impressions, Poincaré introduces a representation of a two-place sensation relation, based on the imagination of single sensations.
The correlate to doxic phenomenality is subjectivity in the standard sense: the sensible representations are bound to an "I".
