The phrase "a root note" is correct and usable in written English.
It is typically used in music theory to refer to the fundamental note of a chord or scale.
Example: "In the key of C major, the root note is C."
Alternatives: "a fundamental note" or "a base note".
A root note of "A" was used for all the contour patterns, the same as was used by [4].
However, the pitch ranking improvements were found with the D reference but not the G# reference, whereas the MCI patterns had a root note of A, and the tone intervals were more similar to the pitch ranking intervals with the G# reference.
His rough idea is to program turnstiles so they know how busy the station is and would generate a root note based on the number of people moving through them to catch a train.
At the beginning, vector I is initialized by setting each entry corresponding to a root note equal to the sum of weights of its outgoing edges, and setting other entries to 0, i.e. I [ i ] = { ∑ k ∈ V W i k, if i ∈ R v 0, otherwise for i = 1,2,..., n.
The name of the power chord is determined by the root and octave notes — a power chord with a root note of C is called a C power chord (or C5) and so on.
(A minor second is one note higher than the root note, a diminished fifth is six frets/half steps away, so if you play an open string, the note on the 6th fret of that string is the diminished fifth, etc).. Another common progression i-ii-i-VII-i (Although the ii chord is usually only a minor second from the root note rather than a whole step).
(For instance, using a major or minor third above the root note is a good way to add some color to a riff).
Playing a power chord, then picking the root note palm muted is a very common rhythm guitar technique in power metal.
Also, the duo has no bass player, even though hearing a few root notes would make their short, catchy songs easier to follow.
It has an organ sound which plays your root note then has an electric harp type sound (it's called "Sonic Strings" on the unit) which is played by stroking your fingers up and down a metallic plate.
When, over a few early bars in "untitled 01|8.19.2014," Lamar announces, "this was the final calling / no birds chirping or flying, no dogs barking / we all nervous and crying, moving in caution / and disbelief, our belief's the reason for all this," he accentuates the last syllable of each line with a half-sung bass-echoing root note.
