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In a romance, one and one make two.
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Among other things, "Red Hook Summer" is a preteen romance, one that's not as audaciously defiant as the one in "Moonrise Kingdom," but that takes place, like Wes Anderson's film, in a family and a community in which the rules are clear, the risks are real, and the emotional stakes are high.
Something that did strike me about some of the final passages in the book, is when Bierdz shares stories of a recent romance, one that left him feeling insecure and the need to do more exercise to get the right body.
Maybe they were that couple a few decades later, for they had an extraordinary romance — one that lasted thirty-two yeand — and they certainly had the diamonds (or had had them).
But "Outlander" is, after all, an epic romance, one that should be viscerally experienced, felt not just in the head but in the heart and the guts.
MTV's Catfish is a show about a similar online romance, one which also raises doubts about its authenticity.
Then he remembered a television program he had seen, about a company called Family Romance, one of a number of agencies in Japan that rent out replacement relatives.
It could have been just a teenage summer romance, one put aside when Mr. Rosario returned to New York City.
Barbara Pym is the thinking girl's romance writer, the only one I'm aware of, outside of Jane Austen, who hits that sweet spot of an utterly unsentimental romance, one which can be read 1,000 times and never become annoying.
It's a sentimental kind of romance, one wet through with sentimentality, one that drips with self-centred sadness.
On the surface they peddle an old-fashioned idea of romance, one that seems to appeal to people who got into long-term relationships at a young age and want to rub that in the face of the sad, lonely masses, with their soulless dating apps and itchy STDs.
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com