The phrase "a pointed nose" is correct and usable in written English.
It can be used to describe someone's facial feature, particularly when referring to the shape of their nose.
Example: "She had a striking profile, accentuated by a pointed nose that gave her an air of elegance."
Alternatives: "a sharp nose" or "a tapered nose."
He had a pointed nose, a lined forehead and bright dark eyes.
One, a directional board, looked like a miniature windsurfer, with a pointed nose and fins at the tail.
He casually abandons Theodora, who then turns into a bad witch, too — a green one, with a pointed nose, like Margaret Hamilton seventy-four yeago ago.
As for Scrooge's physical appearance, Dickens is fairly specific, mentioning a pointed nose, reddened eyes, thin lips and a "frosty rime" on his head, eyebrows and chin.
His hair was cropped short, military style, above a big forehead that was permanently furrowed, shaggy gray eyebrows, wide-set blue eyes, a pointed nose, and a thin mouth with slightly protruding front teeth.
"Plants are very boring," he explains.In 2003 he discovered nasikabatrachus sahyadrensis, a purple jelly-like creature with a pointed nose and a running gait that makes a sound like a small chicken.
He has the appearance of "a 1920s dandy: long fingers, measured movements, smooth and gleaming panels of black hair, an audaciously collegiate tie, crisp pleated slacks of a favourite cotton twill, a humorously pointed nose, a sly half-smile, one eyebrow engineered for expressivity".
Early scenes animated by Frank Thomas and Ollie Johnston show that Pinocchio's design was exactly like that of a real wooden puppet with a long pointed nose, a peaked cap and bare wooden hands.
It's got dog legs, a more pointed nose, and a more vicious mouth".
"Motor Caste," by Stanley Jones, in the 30 May 1925 New Yorker, is full of descriptions of cars that read like a parody of Jay Gatsby's "circus wagon" and its kin: "My eye was struck by a low, coffee colored car of tremendous length which thrust a long, pointed nose at us.
Analyzing our modern conception of beauty and exaggerating it to the extreme, Lee's series The Objectuals emphasizes some of today's most coveted features: large eyes, full lips, and a high pointed nose.
