The phrase "a pile of objects" is correct and usable in written English.
It can be used to describe a collection of items that are stacked or grouped together in a disorganized manner.
Example: "In the corner of the room, there was a pile of objects that needed to be sorted and organized."
Alternatives: "a stack of items" or "a heap of things."
They have a pile of objects.
The poster, which has since been plastered all over Bedford Hills, shows a man and a woman standing next to a pile of objects covered by a tent.
There were worn-out fuses and balls of electrical wire, and there, in the back, a pile of objects I recognized as my own, things I hadn't noticed missing — photographs, for instance, and slides of my bad art work.
Stardock's Object Desktop turns the entire user interface desktop into a pile of objects that can be used or not used at the whim of the user.
Rather, it says that whenever we add one object to a pile of two objects, we will get a pile of three objects.
Thus, for instance, according to Mill, the sentence '2 + 3 = 5' is not a claim about abstract objects (the numbers 2, 3, and 5); rather, it's a claim about piles of physical objects (in particular, it tells us that if we push a pile of two objects together with a pile of three objects, we'll get a pile of five objects.
Thus, for instance, one might maintain that to say that 2 + 3 = 5 is not really to say something about specific entities (numbers); rather, it is to say that whenever we push a pile of two objects together with a pile of three objects, we will wind up with a pile of five objects — or something along these lines.
For instance, one might maintain that the sentence "2 + 3 = 5" is not really about specific entities (the numbers 2, 3, and 5); rather, it says that whenever a pile of two objects is pushed together with a pile of three objects, the result is a pile of five objects.
So, it's natural that when one sees a pile of inanimate objects, one would pause to consider Kevin Costner.
This reporter added it to a little pile of objects she had accumulated on the red velvet and rosewood sofa, part of a suite of furniture that in all likelihood had occupied the same spot in Ms. Schwartz's front parlor since 1925, when her grandmother bought the place, which was built in the mid-19th century as a billiard house, an extension to the gaming club next door.
Morris and Stemm saw some broken timbers, and then a pile of round clay objects — olive jars of the kind that Marx had described.
