Sentence examples for a personal language from inspiring English sources

Though his dancers address one another in ways we can recognize, they also have a personal language that's expressive without being readily translatable.

Bebop was the root of his style almost from the start, and over the years he has absorbed its codes into a personal language, with varying degrees of inflection and tone.

Morag Charlwood Shoreham-by-Sea, West Sussex Jackie Kay's Fiere (Picador) feels like a poetic homecoming; a revelation of self-identity expressed in a personal language that reaches deep down into her Scottish and Nigerian roots.

ON A scene honey-combed by niches, it is rare to find a composer who communicates in the grand inclusive style of a pre-modernist age popular but not populist, ambitious but not elitist, cultivating a personal language which has its own musical and human coherence.

"It's maybe because, for me, Finnish is very much a personal language – it's the language I speak with my very, very close friends and my parents – whereas pretty much my whole professional career, my scientific career and my writing career has been in English, so it's outward facing".

That gathers more significance as you get older: what you can express through it, in a personal language, becomes incredibly important".

Most soundtracks lean so heavily on a few preprocessed musical devices — those synthetic swells of strings and cymbals, urging us to swoon in tandem with the cheerleader in love — that when a composer adopts a more personal language the effect is revelatory: an entire dimension of the film experience is liberated from cliché.

But he' s translating it into a transcendent personal language.

Small wonder, then, that after graduation he arrived at a very personal language, one which draws freely on classical music and - aided and abetted by Piet Verbist (bass) and Teun Verbruggen (drums) - has the impetus of jazz and rock.

But it was not simply that Dylan had transgressed the festival's acoustic bias: the intemperate reception was in part a protest that the folk scene's unrivalled laureate had turned his back on the "duty" to protest, in a style of singalong simplicity, in favour of more personal themes, tackled in a more personal language.

An abstract painter from the start, Monkman's current works abandon the "cryptic" language of squeegee paint for a more personal language, informed by 18th and 19th century landscape painting and his own lived experience.