The phrase "a person skilled" is correct and usable in written English.
It can be used to describe someone who has expertise or proficiency in a particular area or skill.
Example: "In our organization, we value a person skilled in project management to lead our new initiatives."
Alternatives: "an expert" or "a proficient individual".
It can take months to train someone to score rhesus monkeys, and a person skilled at scoring rhesus may fail with tamarins.
One root of the problem is that patent examiners, many of whom are young or lack practical experience, are not qualified to evaluate whether complex claims in biotech or physics meet the most critical tests: whether the claim is novel relative to prior art, and whether this would be obvious to a person skilled in the art.
Judge Roberts clearly has credentials as a scholarly lawyer and as a person skilled in the art of government; his brief tenure on the United States Court of Appeals for the District of Columbia Circuit suggests that he possesses the judicial temperament desired in a Supreme Court justice.
To evaluate inventiveness the examiner must investigate whether the invention was obvious to a person skilled in the art.
Notably, U.S. patent law requires that the new idea not be "obvious to a person skilled in the art".
In the patent application, the invention must be presented in such a way that a diverse audience, ranging from a person skilled in the arts to a judge with no scientific background, can understand it.
Even if the subject matter has never been publicly disclosed, if it would be obvious for an ordinary person skilled in the relevant field based on the literature and common body of knowledge in that field, then the subject matter is not deserving of a patent [ 17- 19].
In a video accompanying the exhibition, Peter C. Sutton, executive director of the Bruce, describes the work of the connoisseur — the person skilled in attributing works of art to one artist or another — as akin to recognizing "Freudian slips": the accidental places where stylistic conventions are relaxed and the idiosyncratic hand of the artist shines through.
This chapter begins by discussing the difference in skills necessary for design versus installation versus maintenance, and how being skilled in one discipline does not qualify a person to be skilled in the others.
There's a degree of skill spillover in the labor market – even if a person is very skilled.
So think about your own story; as a human being, as a person, as a skilled worker, and ultimately as your own business.
