Sentence examples for a panoramic vision of from inspiring English sources

Bonhomme's "Montceau-les-Mines" (1857) is a panoramic vision of the little town of Montceau-les-Mines Montceau-les-Mines Montceau-les-Minesathens.

What she captured was a panoramic vision of Australia at a crossroad of controversy that continues to play out to this very day.

Both offer a panoramic vision of the heroin business, from its third world roots to the well-meaning but myopic Western bureaucrats who want to stop it.

These satirical novels, based on the tradition of cuadros de costumbres ("literary sketches on manners and society"), were part of Pérez Galdós' larger body of work, the novelas españolas contemporáneas, which offer a panoramic vision of 19th-century Spain.

Carefully populating Hillston with blacks and whites, native-born Americans and immigrants, old-line racists and suburbanites too busy to hate, Malone offers a panoramic vision of moonlight and magnolias withering in the arc lights from strip malls and subdivisions.

The book opens with a panoramic vision of the aftermath of apocalypse — "expired" cars, silenced TVs, coffins "unmoored and happy with the storm" — but ends intimately, with a child's memory of his first encounter with death; the thin wire between political failure and personal grief runs taut throughout.

In addition, a 360-degree oil painting of the battlefield — a cyclorama — was reconditioned and mounted in its own gallery, offering a stunning panoramic vision of a battle that may have turned the tide of the war.

On a grand scale, we've traded perspective for immediacy, depth for speed, emotion for sensation, the panoramic vision of a narrator for a series of bright beckoning keyholes.

A writer best known for his panoramic vision of the English countryside, he is equally the master of highly charged close-ups, scenes so intensely visual that character and setting are emblazoned on a reader's consciousness.

Together, the series presents Calasso's panoramic vision of human creativity as a cyclical force constantly in motion — sometimes in a violent fall from innocence — away from its collective roots in myth and ritual toward extremes of originality in the hands of great artists, from whence it inevitably begins a return towards its origins.

Adichie is up against the Booker prizewinner Margaret Atwood's Oryx and Crake, Gillian Slovo's panoramic vision of communist Russia, The Ice Road, and three other novels.