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The phrase "a obliteration" is not correct in written English.
The correct form should be "an obliteration" due to the vowel sound at the beginning of "obliteration."
Example: "The storm resulted in an obliteration of the coastal town, leaving nothing but debris behind."
Alternatives: "a destruction" or "a eradication."
Exact(1)
Vascular invasion was indicated if there was (a) obliteration or thrombosis of the vein; (b) a fixed stenosis of the vessel wall; (c) loss of the hyperechoic vessel tumour interface with encroachment of hypoechoic tumour to the vessel margin; (d) vessel encasement by tumour encirclement and rigidity; (e) presence of tumour within the vessel lumen (John et al, 1999).
Similar(59)
The method of space travel involves an obliteration of time, a "false duration" that may drive a traveller mad.
One of her surprising insights is that technology is not an obliteration but an extension of magic.
They treated 19 AVMs with an average volume of 16 cm and achieved an obliteration rate of 68%, with a 7% risk of morbidity and a 7% annual risk of posttreatment hemorrhage.
I recognize that I've been conditioned by seeing a lifetime of movies a certain way, but this isn't an enhancement, it's an obliteration.
Wiesel uses the concept of night as a nullification of light and reason, as a historical disruption, and as an obliteration of his personal religious faith: "The days were like nights, and the nights left the dregs of their darkness in our souls" (60).
The DCC constructs with one to five SGG repeats exhibited an obliteration of function, whereas a linker of six to eight repeats exhibited a rescue of cell-binding, indicating a recovery of DCC function.
Therefore, an obliteration by lavas with a total thickness of several tens of meters explains the older age in Hiesinger et al.
Using the same strategy in a series of 41 patients with large AVM (average volume of 13.8 cm), Foote et al. [ 19] achieved an obliteration rate of 59%, with a 2% permanent SRS-related morbidity and a 1.5% annual risk of posttreatment hemorrhage.
Ironically, with all of this freight of interpretative controversy, there's no other symphony in Mahler's canon like the Sixth that is so much about a direct negotiation with, rather than an obliteration or sublimation of, the conventions of symphonic form.
Vice City is an obliteration room of cultural references, a tribute to mass-market dreams from the past and present.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com