The phrase "a new composition in" is correct and usable in written English.
It can be used when referring to a fresh piece of work or creation in a specific medium, such as music, art, or writing.
Example: "The artist unveiled a new composition in the gallery that captivated all the attendees."
Alternatives: "a fresh piece in" or "an original work in".
In this concert piece called Taraban, recorded live in 2014 at the D-CAF in Cairo, Khan takes inspiration from two early 20th-century Egyptian songs by Youssef El Manialawy, employing the oud, qanun, violin and riq while working live with filters, processors, virtual synthesisers, live mics and mixers to produce a new composition in real time.
Liverpool Biennial A "dazzle ship" that pays homage to the modernist camouflage invented during the first world war, a new composition by Michael Nyman in memory of the Hillsborough tragedy and the not-quite contemporary James McNeill Whistler are among the highlights of this summer-long art festival on Merseyside.
We are introduced to Mr. Vandermark as he toils on a new composition at his workshop in the basement of his Chicago home, and watch him scratch out phrases on paper, then test them on saxophone and piano.
Among chalcogens based glasses, a new composition has been studied in the system TeAsSe.
Sisumayana is credited with introducing a new composition called sangatya (1232) in his allegorical poems Tripuradahana ("Burning of the triple fortress") and Anjanacharita.
On Tuesday evening Sergei Tcherepnin performed a new composition at Issue Project Room in Downtown Brooklyn, where he is currently an artist in residence.
But is the manipulation of a literal performance the same as licensing it for a soundtrack, quoting it in a new composition or covering it?
I brought in a new composition and we reworked a couple of my older ones and each of the musicians added a tune and I think had had something pretty special.
The power of a recreative artist is to recognize when tradition veers from the path of accumulated wisdom to that of sedimented habit, and, then, to experience the work anew and convey it with the unencumbered power of a new composition, of a shocking new discovery in the garb of the classical.
Virtanen provides a further note of caution: "We should be aware that [the fragments] are, after all, drafts: unfinished as music, and representing only a certain stage in planning a new composition".
It transforms a brief sample from Evelyn King's 1981 song "I'm in Love" into a new composition.
