Sentence examples for a musique from inspiring English sources

Mr. Mitchell churned out his own music too, but in an introspective fashion: you'll find several books of his piano études for sale, but still no albums, aside from a musique concrète solo recording released in 2007.

Surrounded though he was by corpses that "stunk mightily", Pepys retained his delight in drawing "a musique scale", smiling over a "nest of puppies", one of which had been promised to his wife, searching for an unshuttered tavern, and reading a new play, the playhouses being closed.

Arresting as it was, nothing in that movie could have given us any clue to this quite extraordinary followup: utterly distinctive and all but unclassifiable, a musique concrète nightmare, a psycho-metaphysical implosion of anxiety, with strange-tasting traces of black comedy and movie-buff riffs.

A la recherche d'une musique concrète (In Search of a Musique Concrète) (1952), and Traité des objets musicaux (Treaty On Musical Objects) (1966) provide both a theoretical and practical definition of musique concrète.

Depending on the machine used, participants will get, as Dubois tells The Creators Project, "a montage of still images, a musique concrète-style mix of sound recordings, a mash-up of text, or an audiovisual drawing/musical piece based on abstract symbolic instructions".

To steal and change a line from Mallarmé: On a touché a la musique (They have tampered with music).

Michel Chion is a composer of musique concrète, a filmmaker, an associate professor at the Université de Paris, and a prolific writer on film, sound, and music.

This noise is part of a subtle musique con crète soundtrack devised by Leslie Shatz where natural sounds are heightened to become surreal.

pitchfork.com Very possibly the pick of this year's Proms, this iPlayer-only composition from the Modern Toss lads is a daring musique concrète offering evoking the later works of Pierre Schaeffer – but Schaeffer if he were into swannee whistles, cockney piano and airhorns.

Davis's producer, Teo Macero, was a student of musique concrète, an experimental French genre in which tape is manipulated and looped to create new musical structures; much of "Bitches Brew" was pieced together after the band had gone home.

Apart from coming up with a thoroughly ambiguous ending, it doesn't appear to have many strong ideas about the work, and treats much of it as an excuse for a bit of a romp, strange in a piece that Rameau described as a tragédie en musique and which deals with incest, suicide and accusations of attempted rape.