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Discover LudwigThe phrase "a more complex architecture" is correct and usable in written English.
It can be used when discussing systems, structures, or designs that involve multiple components or intricate arrangements.
Example: "The new software update introduces a more complex architecture that enhances performance and scalability."
Alternatives: "a more intricate framework" or "a more elaborate structure".
Exact(13)
Often characterized simply as direct targets for leptin, recent data suggest a more complex architecture.
However, in A. tocantinensis sp. nov., the presence of large woody branches supports a more complex architecture with at least three successive orders of branches.
In contrast to common model plant systems used to study regulation of branch outgrowth, the grapevine has a more complex architecture.
Intelligent instruments, sensors or actuators, differ from usual instruments because of a more complex architecture, allowing them to increase significantly their perfonnances, and to integrate a multitude of new services.
We need a more complex architecture for public deliberation, built on the recognition that we, as citizens, have a duty to participate in shaping our biotechnological futures, just as governments have a duty to empower us to participate in that process.
They use a more complex architecture that combines unsupervised self-organizing maps with features of simple recurrent nets.
Similar(47)
Taken together, the data available show that the apical organs of phoronid larvae have a much more complex architecture than that of other lophotrochozoans.
Oxaliplatin has an even more complex architecture, with the central platinum atom bound to two separate ring structures.
There are a growing array of second generation HPMA copolymer-based systems involving combination therapy, incorporating putative targeting ligands, having an ever more complex architecture, and both drug and protein conjugates are being proposed as novel treatments for diseases other than cancer.
I managed to write it up as a 15-page story (later published in Granta as "The Summer after the War"), but even as I did so, I knew I'd need a much larger, more complex architecture to build the idea into the novel I could already see, tantalisingly, in my imagination.
Out of all of that came, by the '70s and '80s, we can see in the Tate show, yet more complex architecture, a widened palette, and a calculated willingness to risk failure.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com