The phrase "a mode of performance" is correct and usable in written English.
It can be used to describe a particular way or method of executing a task, especially in artistic or theatrical contexts.
Example: "The director emphasized that each actor should find their own mode of performance to bring authenticity to their character."
Alternatives: "a method of execution" or "a style of presentation".
The populist style deliberately disrupts all of this, with a mode of performance that has three elements.
Walsh's dramaturgy frequently focuses on storytelling as a mode of performance (for example,The Small Things, Bedbound).
Solo piano, as a mode of performance, holds a privileged place in jazz, with a history predating the origins of the genre.
The cinema is a gauntlet thrown down to the art of the stage, as a mode of performance and its disposition that is incommensurably different from that of theatre.
It's a desperate moment of the inadequacy of performance and of cinematography; it's as if Iñárritu were admitting, through the character of Riggan, his own inability to invent a mode of performance all his own.
The culture of "politeness", employed to smooth the bumps in the new, mixed power-base of courtiers and money men, involved a mode of performance, complete with pattern books for gesture and dress.
Raley defines tactical media as a mode of virtuosic performance in the sense of "intellectual labor that manifests in virtuoso performances rather than extrinsic product" (6).
A guiding force at Theatre de la Jeune Lune and a co-artistic director with Serrand of the Minneapolis-based Moving Company, Epp turns debauchery into a mode of daredevil performance.
Beyond representational modes of performance be it mainstream or historically informed performance practices Logic of Experimentation creates an ontological, methodological and ethical space for experimental performance practices, arguing for a new mode of performance.
By contrast, Iñárritu's camera movements follow the action and subordinate it to a theatrical mode of performance (as in "Birdman"), with the actors delivering elaborately rehearsed scenes in choreographed stagings and extended continuity.
In 1979, independent record producer Sylvia Robinson heard a DJ spin two turntables and rap over the breakbeats at a Manhattan club, and she decided to form a group that could replicate and record the sonic style that, until then, had been an exclusively live mode of performance: hip-hop and rap.
