Sentence examples for a mode of perception from inspiring English sources

The phrase "a mode of perception" is correct and usable in written English.
It can be used when discussing different ways in which individuals interpret or understand sensory information or experiences.
Example: "In philosophy, various theories explore a mode of perception that emphasizes subjective experience over objective reality."
Alternatives: "a way of seeing" or "a method of understanding".

Exact(5)

It's a mode of perception, an attitude, an ethos: in short, it is a practice".

The hypothetical consequence of such a mode of perception is the ability to focus exclusively on pleasant moments and to be indifferent to the unpleasant ones, such as death.

Dynamic objectivity utilizes a mode of perception based on loving attention toward the object.

This mere convention is not false; it is simply understood as a mode of perception that is subordinated to the ultimate truth that has been directly experienced in meditation.

The idea that emotional feelings may constitute a mode of perception is another familiar theme in recent work in moral philosophy, in the writings of John McDowell (1981) and others.

Similar(55)

Three concerts I saw, out of more than a dozen Unsound events, rewarded a certain mode of perception.

Rather than simply approach the Kerner Report as state policy that resolved urban crisis, this essay reads the report as a dystopian text that cultivated an antiracist mode of perception through an affect of fear that fixed acts of "seeing" race through bodily difference and urban space.

Please note: here, "channel" refers to a particular mode of perception of the non-physical world.

In addition to shedding light on an unusual mode of perception, the findings could lead to treatments for brain disorders showing ways to reduce hallucinations, for example, or correcting various types of impaired perception that can follow a stroke.

The need to do battle with religion and his own oppressed nation, some of whose members were unhappy with his novel and his attitudes; the need to go into exile; the need to create a voice and mode of perception for a sensitive, literary young man: these became Baldwin's needs as they had been JoyceÕs.

Both steps would involve a radical shift, from the visuality of reading, the look of words on a page, to an essentially auditory mode of perception — going, in effect, from reading to listening and, perhaps, from writing to speech.

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