The phrase "a mixture of bands" is correct and usable in written English.
It can be used when describing a collection or combination of different musical groups or styles.
Example: "The festival featured a mixture of bands, ranging from rock to jazz, ensuring there was something for everyone."
Alternatives: "a blend of bands" or "a variety of bands".
Kim said that MusicPlusTV's goal is to broadcast a mixture of new bands and major-label bands.
Basically, it's a mixture of killer bands from East Germany who have released or are on the edge releasing their debut albums, with the other half being American bands that never made it over the demo stage in the 80s, but easily tear apart many properly recorded albums.
The Top Of The Pops spin-off is expected to be aimed at younger viewers, with a mixture of boy bands and pop hits.
Small peaks at 1622 and 1614 cm−1 might be a mixture of absorption bands of Asn, Gln, Trp, Tyr side chains and of β sheet components.
Although this peptide caused a clear, dose-dependent shift in the migration of CaM this shift was a mixture of discrete bands and blurring.
The selected samples with "large" calcified deposits (deposits < 100 µm in height cannot be detected by a spectrofluorometer system with a lamp source as excitation light ) showed a mixture of fluorescence bands of human dental calculus and human dentin.
Due to the repetitive nature of bp100.3, this amplification consistently resulted in a mixture of three bands with lengths compatible with sequences containing one, two and three tandemly repeated bp100 units.
Again, it's a great breeding ground for gnarly termites with hateful keyboard skills but mostly it's a mixture of support band requests, gig offers, interview requests, general "hellos"... "Mate, we think our band has a lot in common with yours and we would like to know if you are looking for a support... .. Blah blah blah.
At 76 years of age, he still clearly delights in making a shrill racket, and his latest visit to Wigan - an old and familiar stomping ground - found him raising the roof with a mixture of big-band and pop standards.
Machito's sound inspired pianist and bandleader Stan Kenton, who began experimenting with a mixture of big-band jazz sounds and Afro-Cuban percussion that led to his recordings of "The Peanut Vendor" and "Cuban Carnival" in 1947.
