The phrase "a memorable sequence of" is correct and usable in written English.
It can be used when describing a series of events, actions, or elements that leave a lasting impression or are noteworthy.
Example: "The film features a memorable sequence of breathtaking chase scenes that kept the audience on the edge of their seats."
Alternatives: "an unforgettable series of" or "a striking chain of".
His elaborately conceived productions have veered from the surreal high-jinks of 2005's Salon de Béton – which includes a memorable sequence of a woman being pursued by a giant rolling pill – to the costume drama Dandy (2006), which was set in Toulouse-Lautrec's château, and culminated in an orgy of sculptural appendages sported by Bock himself, talking the role of a hypochondriacal aristocrat.
The last "See It Now" program to go on the air, in July , 1958 was called "Watch on the Ruhr"; it was a documentary on Germany's economic and political resurgence, and it included a memorable sequence of closeups of members of a German theatre audience watching the climactic scene in a performance of "The Diary of Anne Frank".
A memorable sequence is of the robbery itself, lasting about a half-hour and filmed without music or dialogue.
In a memorable sequence from the video, a woman is submerged in a pool or lake.
A memorable sequence in "Meet the Romans," a BBC series that aired in 2012, shows Beard speculating about the logistics of an impressively preserved communal toilet in the port city of Ostia.
The most memorable sequence of Blackadder was possibly the closing episode, which sees the annihilation of the cast on the Somme.
Probably the most memorable sequence of the whole film is the suicide of Judas, though no explanation for his conduct is given other than the implication that his acts were preordained.
The most memorable sequence of all Pixar sequences aren't special because of anything that was told through words, but by the little things you see.
Georgie figures in the film's most memorable sequence, a set piece shot in the hallucinatory fluorescence of a late-night hospital.
In one of this season's more memorable sequences, a friend of Josh's remarks, "The nicest thing I ever did for a girl was pull out".
Her still photography, which includes the memorable sequence in "Life" on the birth of a baby, has earned her an international reputation of the kind which permits her to agree with Bresson's comment on photographers, that when they are good they are maybe a little better than watchmakers.
