The phrase "a major anthology" is correct and usable in written English.
It can be used when referring to a significant collection of literary works, articles, or other written material compiled into one volume or series.
Example: "The publisher released a major anthology of contemporary poetry that features works from both established and emerging poets."
Alternatives: "a significant collection" or "a substantial compilation".
Mahal remained active into the early 21st century, recording several dozen albums over the course of his career; a major anthology, In Progress & In Motion (1965 1998), was released in 1998.
When he was 12, he wrote a paper on Milton's "Lycidas"; next year, his third full-length book of poems will be published, as well as a major anthology of which he is co-editor.
The lucidity and insight of almost all the contributions make this a major anthology in Tolkien studies.
Among other things, a governmental publishing organ was responsible for the appearance of the first major anthology of Dalton's poetry in the country after the ban in effect during the war.
Out of the speeches and writings of these thinker-activists, Ramachandra Guha has built the first major anthology of Indian social and political thought.
Admired for the delicate sensuality of his verse and his skill at evoking feminine sensibility, Wen was chosen as the lead poet in the first major anthology of ci poetry, the Huajianji (Among the Flowers), compiled by Zhao Chongzuo in 940 to popularize the new genre.
Whatever the causes, the first major anthology of Latin American short fiction, "The Eye of the Heart" - published by Avon in 1974, in its significant Latin American literature series, and recently reissued - though otherwise excellent, contained only 5 stories by women out of more than 40.
For a poet like Chowder, who apparently has enough status to write introductions to major anthologies, a poetry conference isn't like a Star Trek convention.
By the mid 2000s, with three major anthologies published, and a growing literature base, there was ample scholarly literature documenting IRE across disciplines and methodologies, and subsequently, there was anecdotal data emerging from the review boards evaluating such research.
Her work has only recently begun appearing in major anthologies of war poetry, while Poems of Love and War was only her the first solo collection of her work.
And, Suzanne Foley's 1979 San Francisco Museum of Art exhibition and catalogueSpace/Time/Sound: A Decade in the Bay Area, remains, along with Carl Loeffler's 1979 book Performance Anthology, a major source of Bay Area performance documentation.
