Sentence examples for a loud case from inspiring English sources

The show's quiet commentary on the tragedy of black invisibility in white society also isn't made plain until the final episode, a delayed reveal for a series that on the one hand makes a loud case for social mobility but is in fact rife with skepticism.

My inexplicable sound-bath neighbor fell into such a loud case of snoring that I thought she was making a joke.

Stressing that she was not mounting an attack on party leader Jeremy Corbyn, Lucas said she was worried that Labour was not making a loud enough case for staying in the EU.

I like the design; you won't have to hide it in a closet and run cables everywhere just so people don't see your cheap, loud case.

From his perch in the front, Mr. Perry had no idea the woman was sick, which created a somewhat incongruous scene for the first half of the speech — Mr. Perry making a loud and forceful case against Mr. Obama, while dozens of Republican attendees shouted for paramedics and scrambled to dial 911.

Now, with a congressional conference committee set for major discussions this week -- with a focus on winding down or softening the blow of sequestration -- the coalition is making its latest, loudest case.

There's nothing new about this distinction; for decades, the U.S. Supreme Court and federal law have recognized that in some cases (a phone call, a chat with a friend in your living room), people have a reasonable expectation of privacy, and in some cases (a loud argument on the sidewalk), they don't.

She lets the phone fall with a loud clatter, the protective pink case bouncing along the floor.

"Did you ever think that you would get it?" asked Amy Puerto, one of the assistant district attorneys prosecuting the case, prompting a loud objection from Mr. Gottlieb.

The movie "makes a loud, incoherent but oddly compelling case for the enhancing effects of stereoscopic projection on certain treasured objects of the cinematic gaze, like classic Detroit muscle cars, women's breasts and Nicolas Cage," A. O. Scott wrote in The New York Times in February.

None of that really has anything to do with "Drive Angry," which at least in its 3-D version makes a loud, incoherent but oddly compelling case for the enhancing effects of stereoscopic projection on certain treasured objects of the cinematic gaze, like classic Detroit muscle cars, women's breasts and Nicolas Cage.