Sentence examples for a lively interplay from inspiring English sources

I look for an original voice, assured technique and poetry showing a lively interplay of intellect and emotion.

Riesling's customary aroma and flavor of peaches and apricots come and go in a lively interplay of sweetness and dryness.

Jonathan Harvey moved closer to the unhinged in "The Riot" (1993), a trio built on a lively interplay between a bright flute line, a growling (and sometimes howling) bass clarinet and piano.

And — often — the coordination of upper- and lower-body parts, a lively interplay of both arm gesture and foot rhythm, a complex sense of through-the-body line and unequaled articulation of the eyes.

"Gosman's Dock, Montauk" showing young people perched like gulls on the building's roof, is both a topical comment on early 1970's culture and a lively interplay of geometric and organic forms.

As we Democrats plan to broaden our popular appeal and base in the coming years, it would behoove us to forge alliances with an emergent and growing transdenominational progressive Christianity, which sees no simple dichotomy between either religion and science or spirituality and rationality, but rather thrives on a lively interplay between faith and the intellect.

What took place there, to quote John Skinner, was "a constant and lively interplay of devotional ideas and practices between clergy and laity, high and low". Parishes formed the arena where Church reformers and religious laypersons, theologians and "common theologians," interacted.

In "O Shut Your Eyes Against the Wind" he uses Minimalist repetition to create a hypnotic surface above a world of shifting and sometimes competing rhythms and lively interplay among the ensemble's expert players.

Repetition and variation create a lively visual interplay in these large, complex compositions.

That music, rooted mainly in native Huasteco and Jarocho styles, is generally earthier and more rambunctious than Hesperion XXI's usual fare, and the lively interplay between the groups yielded a wonderfully skewed vision of Baroque style: the European strain, even at its wildest — in battle pieces, or evocations of Turkish and Gypsy music — sounds prim by comparison.

At each performance a whole number of supporting roles were real hits, several group dances made strong impressions, and the lively interplay between the many characters had an unusual piquancy.