Sentence examples for a literary reflection from inspiring English sources

First, because of the reflection: a literary reflection about himself and the influence of his father, as a chancellor representing the United States during the Lincoln Administration.

It was for their benefit that Marías wrote a "literary reflection" on the period which he included toward the beginning of the novel.

"By making those aspects of human experience such a clearly-codified part of the game, and by making dealing with a character that has a grudge against you central to the game's progression, Shadow of Mordor does a nice job of integrating a literary reflection on the human experience with what game scholars call the 'ludic' - the stuff relating to play and games".

We post-Freudians construe stuff in terms of a self that hadn't been identified in Dante's day, which many might feel was to his advantage; the fact that so many of today's midlife chronicles are solipsistic comic rambles is itself a literary reflection of the state we're in.

At once a practical guide to research methodology and an elegant literary reflection on the challenges of writing history, this uniquely rich volume demonstrates how surrendering to the archive's allure can forever change how we understand the past.

It is the unconscious literary reflection of 1950s American colonialism.

And there are many pieces of literary reflection, in the form of little paragraph-long essays, like this: One is either an outside (Homer, Tolstoy) or an inside (Kafka) writer.

But when he ventures beyond literary reflection into other matters -- examining the crisis of the Chicago post office, a new maximum security prison in Colorado or the effect of Alzheimer's on his father's personality -- it becomes clear his anxiety about the collapse of literary privilege is symptomatic of a more general unease.

Zaillian indulges in passages of languorous funk and ornate literary reflection, and then suddenly jerks us out of the passive, self-regarding moods with a cut to a car hurtling along or a brassy swell of James Horner's music, which is overbearing throughout.

They abound in verbal conceits, ambivalence, assonance, alliteration, palindromes; they change abruptly from earnest to jest, from the crude to the most sublime, as the mid-20th-century scholar G.E. von Grunebaum pointed out in his evaluation of this form, which he regarded as the most typical literary reflection of the Islamic spirit.

It is personal history; it is also social and literary reflection.