The phrase "a large ensemble of" is correct and usable in written English.
It can be used to describe a significant group or collection of items, people, or elements, often in contexts related to music, art, or data.
Example: "The concert featured a large ensemble of musicians, creating a rich and harmonious sound."
Alternatives: "a vast collection of" or "a significant group of".
The primacy of the chorus, drawn from a large ensemble of local people, is central to McIntyre's interpretation.
The romp began when a large ensemble of dancers who were curled up on the ground near some haystacks rose to tumble about a hillside to jazz recordings.
The cast included members of Meredith Monk/The House, Ms. Monk's troupe, and a large ensemble of students from the festival's school.
Few screenplays successfully weave into one narrative such a large ensemble of characters, as well as a series of events scattered over 23 years.
The five works on the disc, from the German label Cybele, offer an overview of Mr. Joneleit's recent work for varied forces, from solo cello to a large ensemble of strings, winds and percussion.
Sections of music played by a large ensemble of boisterous wind and percussion instruments alternate with interludes of tape-recorded sounds: the composer's electronically altered montages of instrumental sounds and factory noises.
This tense, skittish and pointillist piece from the early 1980s is like a series of dialogues in fits and starts for a large ensemble of instruments, grouped by category and separated onstage.
It began with a large ensemble of dancers in white arriving at one corner of the plaza's reflecting pool like religious pilgrims, anointing their hands and arms with water; one man had a gold wreath in his hair.
Keneally invents a large ensemble of characters and an analogous town, and his third-person prose alternates between the viewpoint of distracted Australian officers, a lonely wife who falls for an Italian labourer on her farm, and several intensely disciplined Japanese captives haunted by their failure to commit suicide on the battlefield rather than be captured.
The work that brought him wider attention was "Delusion of the Fury," a continuous 90-minute music-theater piece conceived for dancers and instrumentalists who could also sing, and scored for a large ensemble of Partch's homemade instruments, many adapted from Asian models.
Hadreas, however, is still developing a live show that can address the extremity of his own music; he told me that to duplicate all the textures of "Too Bright" would likely require either lots of prerecorded tracks or a large ensemble of musicians, so his current touring band isn't trying to.
