The phrase "a kind of fictional" is not correct as it is incomplete and lacks a noun to clarify what type of fictional it refers to.
You can use it when you want to describe a specific category or type of fictional work, but it needs to be followed by a noun for clarity.
Example: "The novel is a kind of fictional narrative that explores the complexities of human relationships."
Alternatives: "a type of fiction" or "a form of fictional".
But by making such claims, fictionalists do not commit themselves to any stronger claims about the analogy between mathematics and fiction e.g., that mathematical discourse is a kind of fictional discourse and they certainly don't commit themselves to the claim that there are no important disanalogies between the two enterprises.
Stereotyping is a kind of fictional abuse".
Our Hell's Kitchen is a kind of fictional look back at the way it used to be".
It was clear that I couldn't write a kind of fictional "video" of one of the songs.
Unlike her co-workers, who tell family and friends they work for MI5, Serena unnecessarily gives a cover story, turning herself into a kind of fictional character.
This, too, is a smart idea — a kind of fictional affirmation of the historian Lerone Bennett, Jr.,'s claim that "there is no Negro problem in America.
That experience encouraged me to write a jazz novel which I finally got around to some years later -- it's a kind of literary fictional riff on the lives of so many of the unsung heroes of jazz -- and when 'Now's the Time' was published my 10th grade students pestered me to let them read it for class.
Read charitably, it is a kind of semi-fictional extended meditation featuring a character named Henry David Thoreau.
"Contemporary transhumanism is itself a kind of science-fictional realism," Pilsch contends, "a combination of philosophy and fantasy in an emerging discourse of a new humanity" (101).
Whether his birth-order also gave him access to a different kind of fictional voice is a question beyond my expertise.
But the scene as rendered in Villette gains extra importance for Harman because it shows Brontë making a new kind of fictional narrative, one that is more concerned with the flutters and surges of the narrator's inner consciousness than the external demands of the plot.
