Sentence examples for a historical performance from inspiring English sources

With admirable understatement, then, Wenger said that "defensively, I don't think it was a historical performance".

The driving force behind much of this renaissance is the Juilliard School, which established a historical performance program in 2009.

The most recent addition was a historical performance programme for early music inaugurated in 2009, with the new faculty reflecting the way that this approach, once seen as a quirky niche area for obsessives searching for elusive concepts of "authenticity", had entered the mainstream.

It would be fascinating to hear the singers and orchestra, and as a bit of a historical performance anorak-wearer, I'd love to study the details of ornamentation, the techniques of singing and playing as well as sampling the beauty and excitement that all the contemporary reports suggest.

PPM frameworks are also critiqued for not considering all resource restrictions (such as time and interdependence) simultaneously, and for a lack of consideration of an organization's historical performance data which is necessary if a plan is to be based on the organization's capabilities (Henriksen and Traynor 1999; Martinsuo 2013).

In the fall of 2009 Juilliard plans to institute a graduate program in historical performance, offering a master's degree and, perhaps eventually, a doctorate.

There is a point to historical performance of late-19th-century music, but there is no point to replicating a 21st-century performance style with 19th-century instruments.

The best place to contemplate these issues is at an institution with a resourceful instrument collection regularly put to use, such as a museum (like The Metropolitan Museum of Art), or a conservatory dedicated to historical performance.

"Take a longer view of historical performance," he said.

The opera world has learned a lot more about historical performance styles since that production was introduced.

Last October the Juilliard School announced that it would establish a graduate program in historical performance, shaped in large part by the American expatriate William Christie, who spearheaded the modern early-music movement in Paris.