The phrase "a grid structure" is correct and usable in written English.
It can be used when describing a framework or arrangement that is organized in a grid-like pattern, often in contexts such as architecture, design, or data organization.
Example: "The new software features a grid structure that allows users to easily manage their data in a visually appealing way."
Alternatives: "a grid layout" or "a grid framework".
Herman Costa, for example, arranges strips of photographs taken in public photo booths to establish a grid structure for compositions that evolve from frame to frame.
An unfinished canvas lined with handwriting paper, an ongoing technique, gives the surface a grid structure, showing Gallagher's allegiance to the "kinder" minimalism of Agnes Martin.
Takes into account all possible potential locations, albeit within a grid structure.
Advantages of the grid method: Takes into account all possible potential locations, albeit within a grid structure.
For example, the face is partitioned with a grid structure resulting in two or more horizontal and vertical stripes.
This paper is concerned with the active vibration control of a grid structure equipped with piezoceramic sensors and actuators.
Open image in new window Fig. 3 Sketch of the laser printing setup a A printed grid structure b of fibroblasts (green) and keratinocytes (red) demonstrates micropatterning capabilities of the laser printing technique.
However, it is neither a convenient nor an obvious task for engineers to create a discrete grid structure on a complex surface that meets the architectural requirements.
Computer aided design software enables the rapid conceptual creation of a curved surface geometry, whereas it is neither a convenient nor an obvious task for engineers to create a discrete grid structure on a complex surface that meets architectural and aesthetic requirements.
Automatic feature location on the image was performed using a novel dynamical algorithm: a virtual grid structure modelled on the spotting pattern is created in which each spot is replaced by a point mass tied to its four neighbours by nonlinear springs.
Mr. Althoff alternates between Expressionist grotesques, blood red abstractions and Victorian dandies, mostly on canvas and paper, but also in a dazzling installation involving a towering but sylphlike woman surrounded by a red grid structure.
