The phrase "a good counter" is correct and usable in written English.
It can be used when referring to something that effectively opposes or balances another thing, often in discussions about arguments, strategies, or responses.
Example: "In a debate, having a good counter to your opponent's argument is essential for a strong performance."
Alternatives: "an effective rebuttal" or "a solid response".
Yes– this is a good counter to those who would claim that this is simply dog in the manger.
3.08pm BST 32 min Slater launches a good counter attack and Cronk launches an up-and-under looking for Inglis again.
Keep working in the Mormon angle — it's a good counter to Santorum's story that he's got a direct line to Jesus Christ.
"Cameroon has a lot of good players, not only Eto'o — there's Song, there's Webó — they're good attacking players, fast and physical, and so we have to protect good and after that we have to take the ball and have a good counter," Inamoto said.
If transparency is a good counter to this, it will be important to preserve it as prediction becomes a bigger business and gets further from its academic roots.It is as prediction moves from places to people that it becomes most vexed.
If so, would that be a good counter to global warming?
It starts with good organisation, good defence with no risk, and then a good counter-attack.
There was also a 2001 Chianti classico from Fèlsina, which he hoped might be a good counter-puncher, and what proved to be the evening's secret weapon: a spicy 2000 gewürztraminer from Trimbach.
They'll be asking questions of us when they get the ball and we might be able to show we are quite a good counter-attacking team when teams try and play against us".
A tap-in from the Aston Villa striker Christian Benteke, a simple finish from Chelsea's on-loan Kevin de Bruyne and a clinical strike to end a good counter-attacking move from Everton's Kevin Mirallas ensured an impressive away win for the Belgians that took them top of the group.
Their music may lack the vanguard credentials of Schoenberg's or Stravinsky's, at least on the sonic surface, but Nielsen, in his 1925 book "Living Music," makes a good counter-argument: "The simplest is the hardest, the universal the most lasting, the straightest the strongest, like the pillars that support the dome".
