The phrase "a given articulation" is correct and usable in written English.
It can be used when referring to a specific expression or formulation of an idea or concept.
Example: "In this context, a given articulation of the theory helps clarify its implications for future research."
Alternatives: "a specific expression" or "a particular formulation".
Now Julia Annas's suggestion is that we can give articulation to this idea in a contemporary scientific paradigm by drawing on a particular idea from positive psychology, this idea of flow.
3 And though the sounds which they made were at first unintelligible and indistinct, yet gradually they came to give articulation to their speech, and by agreeing with one another upon symbols for each thing which presented itself to them, made known among themselves the significance which was to be attached to each term.
Exit strategies relate to citizen ability to access alternative suppliers of a given service; voice strategies relate to their ability to influence the outcome of a service through some form of participation or articulation of protest or feedback.
Other recommendations include how to minimize selection bias and, as noted above, the articulation of transparent community standards by which a given attribution can be measured.
This way of gathering knowledge about informants' general treatment assumptions was inspired by previous use of program theory – a tool to facilitate the articulation of participants' basic assumptions of how a given intervention leads to a given outcome [ 26- 29].
Educrats at the helm like to argue that all schools in a given school building benefit when a new school (with lots of new school "articulation" funding) encroaches.
It is an articulation of how those assumptions are expected to play out in a given context.
Different speakers, different articulation, and noise will induce variability in the perceived stimulus for a given word.
Between them, he gave an assured reading of Brian Fennelly's "Sigol Musings" (2004), in which mild angularity is offset by playful articulation and an increasingly elaborate exploration of the graceful main theme.
Mila Parely is despicably vain and greedy as one of Beauty's bad sisters and Marcel Andre is nicely theatrical as her doting, ineffectual papa.Studied or not for philosophy, this is a sensuously fascinating film, a fanciful poem in movement given full articulation on the screen.
